“The State has but
one face for me: that of the police. To my eyes, all of the State's ministries have this single face, and I cannot imagine
the ministry of culture other than as the police of culture, with its prefect and commissioners.” - Jean
Dubuffet
Popular
Culture Promotes the Police State
The
New World Order, designed around a functional police state that is encouraged by continuous popular cultural messages, is
apparent to even the most avid establishment apologist. Liberty and freedom, hardly ever mentioned in a positive light by
the mass media, is a direct threat to the ruling class. The proliferation of degenerate behavior is lauded so that those who
object to such conduct will be demeaned as outcasts of the decadent society. The imposition of a police state is necessary
to coerce decent people into forced obedience.
Cultural celebrities and
icons come and go, but their art often rings on for good or bad. Political propaganda, embedded in media projects, has transcended
subliminal messages and now emphasizes in your face brashness. The breakdown of the traditional value society is so complete,
that what was once viewed as insulting political disinformation now passes as a promotion for a loyalist NWO drama.
One such Showtime production is the pathetic Homeland series.
"Instead, Homeland
presents a retuned version of the same unshakeable assurance that, even when things are really complicated, American values
are the fairest, the most right and the best. Sure, the series shows US forces doing terrible things: covering up a drone
attack that kills civilians in Iraq; trigger-happy in a US mosque, leaving innocents dead there, too. But these are presented
as necessary acts in pursuit of far worse crimes. Homeland's core message is that the US means well, but sometimes has to
do bad things; while the Arab and/or Muslim enemy doesn't mean well and hence does unfathomably bad things. Not much of a
progression really, is it?"
When the postmortem of
the Patriotic Act era is dissected, the treason of intelligence community operations will be written in their full horror.
The police state glorified in Homeland episodes is meant to prepare the public for the next stage of centralized oppression.
While cable or broadcast TV is so removed from Little House on the Prairie, today’s
programming is designed to facilitate the psychological acceptance of the transition into a maximum lock down prison society.
"Turn on your local
newscast. You have a few minutes of blue-collar crime, hardly any white collar crime, a few minutes of sports, misc. chit
chat, random political jibber-jabber, and a look at the weather that no one is forecasting correctly. Is that what happened
in your town? And we're supposed to own the airwaves! The mainstream media openly supports the interests of the prison industrial
complex. The stories focus on minority criminal groups, and exploit the real threat to appear much more dangerous than they
are. Think about the growing per capita number of prisoners in the country. Then remember that this is happening at the same
time that our prison boom began. The police on our streets have created criminals. The focus is to keep us in a state of fear,
that way the elitists can attack any group they want to without fear of consequence. This is why the media is continuing to
craft the timeless art of dehumanization."
The cutting
edge of mind control has long included the use of music and lyrics that produce subconscious meanings. Now the fascist messages
in street music indoctrinate not only the youth but target to reinforce the despotic aspirations of TSA flunkies.
"In
hip-hop slang, the term "hard" usually refers to someone who is street-savvy, gritty, rebellious and who is decisively
"not down with police". Hard transposes this term to a military context. Her militaristic video features a gang
of uniformed men dancing under the orders of "General Rihanna". We’ve come a long way from Public Enemy’s
Fight the Power…it is now Submit to the Power. All of this military/dictatorial imagery is mixed with Rihanna’s
sexy moves and outfits, appealing to the masses’ basest instinct: sex."
"Beyonce walks on stage with a bunch of men dressed in riot gear… the type of
unit a police state would use to repress opposition during popular turmoil. What are they doing in Beyonce’s performance?
Contributing to permeate popular culture with police-state imagery."
In the follow-up account, you
can read the description mentioned in this report.
"Two recent examples of the perpetuation of the police
state agenda in popular culture are Jay-Z and Kanye West’s music video No Church in the Wild and
Adam Lambert’s Never Close our Eyes. In spite of, or perhaps because of, the fact that these songs are two different genres that aim to reach
two different markets, they both contribute to the saturation of popular culture with police state imagery. While the authorities
are not necessarily portrayed as the "good guys", they are nevertheless there, as if their presence at any kind
of public demonstration is normal."
Contrast this dark brute force portrayal, with an
age of optimism and hope. The peace and love themes in the music and political actions of John Lennon offer a rudimentary
alternative to the grisly atrocities that the establishment commits routinely in the name of national security.
Rebellion
of youth is natural, but resigned acceptance for submission to the police state is repression. The thirty-two years since
his assassination has been one long road into oblivion. Read the "Interview With Investigative Reporter Jack Jones" for insights into the elimination of a dangerous messenger of peace.What a long way away from John Lennon’s lyrics in the song Revolution.
You say you'll change the constitution
Well,
you know
We all want to change your head
You tell me it's the institution
Well, you know
You'd better free your mind
instead
But if you go carrying pictures of Chairman
Mao
You ain't gonna make it with anyone anyhow
Now, transition from the mental liberation of the Beetle era, and go back and examine
the overt war crimes of the premier American despot, Abraham Lincoln. Biographer and jingoism jezebel LBJ groupie, Doris Kearns
Goodwin’s book, Team of Rivals: The Political Genius
of Abraham Lincoln served as the backdrop of Steven Spielberg’s production of the recent
released Lincoln film.
"In
the modern Hollywood narrative, all American history revolves around the Sacred Black Experience. Lincoln confirms this, bending
historical truth to paint the most ruthless, bloody-minded, strong-willed American leader in history as some kind of smug,
pre-post-modern storyteller croaking gamely through the difficulties like a paleface Obama sans teleprompter. The few Southerners
are snarling, greasy bigots, recoiling before the erect, scowling black Union guards as they slink by during a meeting that
led to the Hampton Roads peace conference of February 1865.
The
film has throughout a sense of hushed awe, as if kowtowing to its own self-evident righteousness. There is no balance, no
complexity, no sense of inner struggle or desperation. No opposing arguments. Its simplistic outlook more closely resembles
the popcorn-psychology Avengers or Justice League rather than the serious historical movie that it clearly wishes to be acclaimed."
The point of evaluating the worship adoration of the destroyer of the Republic
with the authoritarianism of the newly re-elected president is to equate the despotism of both of their regimes. The imposition
of the police state is part of the master plan to enslave the inherent autonomy of free citizens.
The
insidious popular culture strips the institutions of traditional constitutional protections and separations of powers by diminishing
the will of sovereign citizens to fight tyranny. The goal of imposing savage dehumanizing ruthlessness seeks to spread the
Sons of Anarchy mindset into positions of authority. The merging of law enforcement into
the ranks of criminal organizations becomes a common occurrence in the police state environment.
Once upon a time, the peace officer maintained order and balance. Now law enforcement deems that natural rights are
arbitrary and conditional on obedience to government dictates.
911
provided the excuse to inflict a "War of Terror" under the disguise of national security. The Homeland program
scripts that foster the ends justify the means are repugnant to every liberty advocate. Each day, the evolving police state
is becoming more invasive and punitive.
A culture that glorifies
jack booted thugs that order innocent citizens around as sinister terrorists destroys the essence of the nation. The New World
Order essentially uses depressing indoctrination of the inevitability for submission to their mind game matrix.
The walking dead that accept a dependent society administered by bureaucratic goons,
willingly tolerant a fate of bondage. Since texting is all the rage and the written language is sorely deficient, maybe the
best way to communicate though the popular culture is to withdraw from the experience as much as possible. Try one on one
contact; you might be surprised with the results.
“There are only two choices: A police state in which all dissent is suppressed or rigidly controlled; or a society
where law is responsive to human needs. If society is to be responsive to human needs, a vast restructuring of our laws is
essential.” - William Orville Douglas
